Matt's Big Oscar Challenge Day 75: Post War Blues

Even though all these films are over sixty years old some of them still resonate and are relevant in today's environment. That's especially true of the winner at the 1947 ceremony, The Best Years of Our Lives, which does in fact share some similarities with the final scenes of this year's winner The Hurt Locker. The film follows the post-war lives of three men who meet on a plane flying back to the small town in which they all live. They are Sergeant Al Stephenson played by Frederic March, Captain Fred Derry portrayed by Dana Andrews and navy man Homer who lost both arms during the war and now has hooks as replacements. Fred returns to find that Mary the girl he married just before the war has moved into an apartment of her own and is now working in a nightclub. Fred struggles to find work eventually returning to the drugstore where he was once employed he earns a pittance and finds himself working under the man who was his assistant before the war. The only joy he finds is in meeting Al's daughter Peggy who helps him when he has nightmares, he falls for her but thinks he has a duty to Marie. After getting fired from the drugstore and finding out about Marie's other man he moves away and ends up helping at a building scheme to turn old scrapped airplanes into new buildings. Meanwhile Al has developed a bit of a drinking problem but is helped through it by his long suffering wife Milly, played by Myrna Loy, as well as his two children. Al is promoted at the bank where he works because of his military service but later gives a loan to a former soldier who has no collateral and is criticised by his boss. Homer's story is possibly the most interesting although he has lost both of his hands he still wants to be as independent as possible. His family and his 'girl' Wilma both try and act like they're find with what has happened but are both secretly upset. One of the film's most heart-breaking scenes is where Homer shows Wilma how helpless he is without his hands and that he always needs someone to help him before he goes to bed. This is meant to warn Wilma off but she decides to stick with Homer and the final scene is their wedding where Al and Millie are guests and Fred is the best man. The final shot is of Peggy and Fred's eyes meeting across the room and finally embracing as the film ends.

The film's title The Best Years of Our Lives refers to a line in the film spoken by Marie in which she tells Fred that she gave up the best years of her life for him. But I think generally it refers to the time that three men spent in the war, that was the best years of their lives and now they are struggling to get their lives back on track. I mentioned The Hurt Locker because it resonated with the final scenes in which the Jeremy Renner character decided that he couldn't live his mundane life and decided to return to action. And indeed the men here find their lives mundane and things have changed a lot. The performances are faultless with two of the three leads winning Oscars for their roles. Frederic March won the Lead Actor Oscar however I would argue that Dana Andrews possibly deserved it more because Fred's journey is a lot bigger than Al's and Andrews gives a stunning portrayal of a man who just isn't coping. Harold Russell, as Homer, won Best Supporting Actor and also a Special Award for bringing hope and comfort for veterans who had been injured in the war. In fact Russell wasn't a professional actor and was spotted in a documentary about wounded serviceman by director William Wyler. Having found that out after watching the movie I'm surprised as Russell's performance was absolutely captivating, and he is only one of two non-actors to win an acting Oscar, the other being Haing S Ngor for The Killing Fields.

After the last two Oscar winning films I watched turning out to be fairly ordinary or overly theatrical its nice to watch a film that truly deserved all of the accolades that were given to it. A truly amazing piece of work that I would recommend to anyone.

Matt's Big Oscar Challenge Day 57: Some Light Relief

After bubonic plagues, evil stepfathers and French revolutions dominating the last three films I watched on the challenge I thought it was time to indulge in a bit of light-hearted relief so here we go with another screwball comedy, bizarrely directed by the guy who directed the Tale of Two Cities adaptation, Libelled Lady. The film sees Connie a millionaire heiress played by Myrna Loy sue a newspaper after a they print a scandalous rumour about her. The newspaper's editor, played by Spencer Tracy, decides to hire ladies' man Bill, played by William Powell, to get Connie to drop the suit. He does this by getting the editor's fiancée Agnes, played by Jean Harlow, to marry him and then manoeuvre it for Connie to fall for him and Agnes to catch them together. Of course this being a screwball comedy things don't go to plan, and Agnes begins to fall for Bill much to the editor's displeasure. Things come to a head as Connie and Bill get engaged and Agnes reveals that she and Bill are actually married and then Connie and Bill have to convince her that she and the editor belong together.

Unless Frank Capra is involved I find these romantic screwball comedies incredibly lightweight. Not that that is necessarily a bad thing and this one trots along at a nice pace. William Powell and Myrna Loy have proved that they have great on-screen chemistry and indeed the scenes featuring Connie and Bill are probably the film's best. Despite Powell and Loy's chemistry, it was Powell and Harlow who were involved at the time of the film's release. This is in fact Jean Harlow's first appearance in the challenge, she accounts herself well in quite a small role but she is still strong enough to contend with the other actors while Tracy excels at doing something a bit lighter than what I have usually seen him in. Not really an Oscar contender per se, this is still an amiable enough comedy that wiles away an hour and a half quite easily.

Matt's Big Oscar Challenge Day 47: Just Testing it Out

And its farewell to the cosiness of LoveFilm as I reach the great abyss with at least another twenty-four films to watch, and maybe more if I can find them somewhere. And we're kicking off with a reunion of San Francisco's leading men Spencer Tracy and Clark Gable and that film is Test Pilot.

The relationship between Gable and Tracy is similar to that in the disaster flick they filmed a couple of year's previously. Gable is the reckless womaniser and Tracy is the more grounded sage who worries about him. Here Gable plays Jim the eponymous test pilot who is tasked to try planes out before they are ready to fly and try and break speed records, Tracy plays mechanic Gunner who finds Jim reckless and often has to get him out of tricky situations. Near the beginning of the film, Jim crashes a plane in Kansas and meets Myrna Loy's Ann who is excited by his lifestyle and leaves her fiancée to be with him. Soon we have three relationships the romance between Jim and Ann, the friendship between Gunner and Jim and the relationship between Gunner and Ann which is based on knowing that Jim's job means that he often faces death. When a fellow test pilot dies in a plane that was meant for Jim, Jim gives all his money to the widow and then goes on a drunken bender. The finale sees Jim quitting the test pilot life after Gunner is crushed during one of Jim's test runs, Jim decides he has to spend time with his wife so decides to train the next generation of test pilots instead.

One thing that really stood out for me in Test Pilot was the cinematography, the shots of the planes were particularly fantastic. However there was no nominations for cinematography instead the editing did get nominated as did the original screenplay. All of the acting talent was well represented and of all of his performances I have to say I have enjoyed Spencer Tracy the most in this film and his double act with Gable was probably the highlight of the film. Myrna Loy didn't really have a lot to do in terms of plot but she is a fine actress as proved in her roles opposite William Powell. Overall a great little film but not one that ever stood the test of time especially in that list at the 1939 ceremony but it's an admirable effort. However at the next year's ceremony the next collaboration between Clark Gable and director Victor Fleming would clean up, that film being of course Gone With the Wind.

Matt's Big Oscar Challenge Day 40: Getting the Skinny

One of the elements of 1937 winner The Great Ziegfeld that I enjoyed the most was the interplay between male lead William Powell and final love interest Myrna Loy in the final third of the film. Little did I know that this was their third film together and they were actually married in a franchise of films known as The Thin Man series. In the film they play Nick and Nora Charles a married couple he a retired detective her a girl-about-town both trying to settle down when Nick is pulled back into action after an old friend of his disappears. His old friend Claude Wynant is the Thin Man of the series but he didn't really strike me as terribly thin. At the same time Claude's girlfriend and personal secretary is killed, possibly by him for taking money that didn't belong to her, so Nick has two cases to solve. Then follows a lot of scenes with Nick interviewing low lives, comic gangsters and almost being killed himself. The final scene sees Nick and Nora host a dinner party with all the suspects present before Nick reveals the culprit. This plot device has been used over and over again in Agatha Christie novels so it seems a bit passé here.

I have to say I wasn't much for The Thin Man, aside from William Powell's wise-cracking razor sharp performance there wasn't a lot to write home about. It wasn't a particularly bad film but the central mystery never grabbed me and one of the best characters, Natalie Moorhead's Julia Woolf, is murdered early on in the film. As well as Best Picture, Powell was nominated for Best Actor (he wasn't for Ziegfeld) and it was also nominated for direction and screenplay but rightfully didn't win any of those either. The film also spawned four sequels which may have been a lot better but I have to say this one left me feeling rather flat.