Matt's Big Oscar Challenge Day 118: Nothing to Do With the Four Tops

Over the past couple of weeks in the Oscar Challenge we've had a bit of a religious theme whether it be Bing Crosby's priest visiting a school run by nuns or David Niven's Bishop clashing with Cary Grant's Angel it's all been getting a bit too holy. So I was disheartened to learn that The Song of Bernadette was nothing to do with the 1967 Four Tops hit Bernadette, a bit impossible seeing that the film was nominated for Best Picture at the 1944 ceremony. The star Jennifer Jones also was one of the first to discover that if you play a character with an illness, firstly asthma and later cancer, your chance to win an Oscar is greatly increased. Jones' Bernadette is a young innocent who while gathering logs in a cave in Lourdes ends up seeing a vision of the Virgin Mary. Obviously most people don't believe her, her parents are embarrassed and want her to stop and the officials in Lourdes think that her supposed visions are doing adverse things for the town. The Town Officials are all seen as devious men as they all have ominous facial hair and are played by classical actors like Lee J Cobb and most notably a campy Vincent Price seemingly in a different film from everyone else. Eventually people start to believe her when a spring that Bernadette digs produces water that heals the residents and when the emperor uses it Bernadette is appeased. Her former headmaster suggests that she joins a convent where she comes face to face with her old teacher Sister Vazous who is jealous of Bernadette and wonders why the visions are coming to a girl who doesn't deserve rather than someone like her who has prayed and devote all her life. She feels shame when Bernadette is diagnosed and later dies from cancer of course after her death she was sainted and now everyone talks about the healing qualities of Lourdes.

If The Song of Bernadette were released today it would be seen as a traditional Oscar film. Featuring themes of faith vs. religion, a lead character who is a bit dopey and then suffers from cancer and various Americans pretending to be French and of course a true story this has everything that the Academy loves. But in the less cynical 1940s I think they might just have been taken with the sweet nature of the film and Jones' naive performance as Bernadette which won her the Oscar. To be fair Jones is good as the lead having to go from playing a 14 year old school girl to Bernadette at her death she is able to demonstrate her range. Elsewhere I think Gladys Cooper possibly deserved a Supporting Actress Oscar as Sister Vazous the angry nun who shows humanistic qualities also nominated for Oscars were Charles Bickford as her headmaster priest and Anne Revere as her mother although I just loved Price's town prosecutor maybe because he was so over-the-top. For me it was a little bit too long after a while I got the point that people didn't believe Bernadette and thought the second half of her life was rushed in comparison. The general tone of the thing was very much pro-religion presenting all the non-believers as comical villains and giving them no leeway whatsoever basically saying if you don't believe in God, then you're wrong. So if you can overcome this strong message then you might be able to enjoy some of the performances in the film but personally I'd just stick on the best of The Four Tops album on instead.