Matt's Big Oscar Challenge Day 201: How to keep your Coolies

As I move onto the last ten or so films of this decade I can't help but notice how many war films I have left to watch. In fact I'm surprised by the number of war epics and westerns in these ceremonies, but I suppose these were simpler times before the notion of the 'Oscar film' was ever created. Anyway, the next war film on my list, The Sand Pebbles, stars everybody's favourite action hero Steve McQueen as naval machinist Jake Holman. The film follows Holman as he becomes a member of the crew of gunboat 'The San Paolo', nicknamed the 'Sand Pebble' by the men who serve on it. When Holman arrives he discovers that the crew do very little and instead leave all of the work to the Chinese labourers known as Coolies. Holman isn't a fan of the current situation and wants to work in the engine room, but the majority of the crew see him as a threat to their cushy lifestyle and refuse to help him out. Holman's only friend aboard the ship is the sensitive Frenchy who strikes up a relationship with educated local girl Maily, after he stopped her from being bought by another crew member. However, Maily and Frenchy's relationship is stalled when the rebellious natives refuse to let the San Paolo leave until they free all of their Chinese coolies. This stalemate eventually results in a gun battle between the two which leaves many of the San Paolo crew members dead. Meanwhile Holman and Captain Collins lead a team whose mission it is to rescue two American teachers who are stranded in the country. But it seems that this mission may be their last as the Chinese begin to close in on them.

I have to say that, during this Oscar challenge, the films that feature prolonged battle segments are the ones that probably interest me the least. Thankfully, when The Sand Pebbles wasn't full of macho posturing, there were some things to like. Steve McQueen gives a balanced performance as Holman, a man who is always trying to do the right thing but always seems to get people killed in the process. In fact I quite agreed with the crew of the San Paolo as life was a lot easier before he came along. But his presence at least brings up some interesting themes about the exploitation of immigrant workers and racial tensions between the two. Richard Crenna was also great as the matter-of-fact captain who was just trying to do the best for his crew and I felt his scenes were some of the more compelling. But the film was definitely stolen by Richard Attenborough whose was brilliant as the likeable yet naive Frenchy. Even though I couldn't tell what accent Attenborough was attempting, I found Frenchy's relationship with Maily the most interesting and engaging story in the whole film. At just over three hours, The Sand Pebbles was far too long and I thought that, if it had been trimmed down by at least thirty minutes, it would've been a lot better. I also didn't much care for the central love story betwen Holman and Candice Bergen's teacher Shirley as there was never any chemistry between the two. Interestingly, The Sand Pebbles was nominated for eight Oscars but went home with none, something I'm not surprised about as I found it to be a completely forgettable film, if not one that did have a few standout moments.

Next time more shooting and macho posturing with another all-action war film.

Matt's Big Oscar Challenge Day 172: More Musical Melodies

I know I've been laying low for a while in terms of the Oscar hunt but that's because I've had other things on soon these posts will have their own exclusive blog dedicated to them but for the moment I present a quadruple bill of 1960s musicals. However the characters in the musicals aren't the most savoury of characters - child thieves, gang members, murderers and conmen who can all hold a tune, isn't it just lovely. And we'll kick off with the first two films from that quadruple bill.

Starting off with the film that triumphed at the 1962 ceremony - an update of Romeo and Juliet starring too warring, gun-toting, all-singing, all-dancing gangs. I'm talking of course of West Side Story, Leonard Bernstein and Steven Sondheim's classic musical, which was transplanted to the screen in 1961 to rave reviews. As always with films that I know quite well it's hard for me to know how much plot detail to put in but I will say that the film deals with the rival gangs the Latino-only gang The Sharks and The Jets which are made up of mainly Polish immigrants. Russ Tamblyn plays Jet leader Riff whose lieutenant Tony has essentially quit the gang preferring to work at the local drugstore however he is convinced to come to the dance where both gangs will arrange a rumble. That's where Tony meets Natalie Wood's Maria the sister of Bernardo the leader of the Sharks, played by George Charkiris, with Tony and Maria obviously being the equivalent of Romeo and Juliet. As we all know the story the two warring factions end up getting in the way of the love story with both Biff and Bernardo biting the dust before the final scenes. The only change-up is that Tony is killed but Maria survives telling the gangs to stop what they are doing before there is even more bloodshed. For me the opening fifteen minutes of West Side Story builds it up perfectly with the opening conflict between the two gangs played out to minimal beats building up to a large climax which provides the impetus for the rest of the film. Though I do have a bit of a problem finding gangs that are that in time when dancing together particularly threatening everything else about this film is great. While I found Wood and Richard Beymer a little flat as Maria and Tony there was support elsewhere in two Oscar winning turns from Chakiris and Rita Moreno the latter playing Bernardo's girl and Maria's confident. Actually out of all the performances I feel that Moreno's is the best especially towards the end when The Jets are circling around her following Bernardo's death. The songs are spectacular from America to Maria to Someday and the staging is perfect especially the playground with wire around it a perfect place to start and end the film. So all in all a perfect Oscar Best Picture winner then.

Moving on to the next year a less racy and more traditional musical with The Music Man although it does still feature an unsavoury lead character in conman Professor Harold Hill who comes to the sleepy Iowa town of River City to flog band uniforms and instruments to the unsuspecting townsfolk. Hill is played by Robert Preston, who played the role on stage, however both Frank Sinatra and Cary Grant were offered the role with the latter turning it down saying nobody could play it as well as the man who did on Broadway. Hill is aided in his con by associate Marcellus who is the only one who knows him by his real name Gregory. As he is a showman he convinces the majority of the town to steer away the young folk from the pool tables and instead get them to take part in a band. His pomp and circumstance is infectious as the older women of the town form a dance group while the four men on the school board form a Barbershop Quartet, in actuality they are played by real life quartet The Buffalo Bills. Hill's main opposition comes from the town's mayor who wants his credentials and the local librarian Marian who teaches piano. I was a big fan of The Music Man before revisiting agan and what I like about it so much is in the little details from the opening number set on a train that has all the men in suits and hats complaining about Hill to the final reprise of '76 Trombones' with the whole town now kitted out in their band uniforms. The other songs are just as brilliant with the most famous being 'Till There Was You' however my favourite has to be the famous 'Trouble in River City' in which Hill convinces the people that the pool table is bad news. Both Preston and Shirley Jones are a great couple with support coming from the brilliant Buddy Hackett and a young Ron Howard. While this isn't going to win any points for originality it is still a fine old-fashioned musical and one of the last of its kind.

Matt's Big Oscar Challenge Day 169: Just Julie

The second of the bank holiday weekend treats was yet another viewing of the classic that is Mary Poppins which for me was the start of a Julie Andrews double bill as I decided to watch an online copy of The Sound of Music. Like with Streisand in the previous post, Mary Poppins was Andrews' debut film and also earned her a Best Actress Oscar in addition this is to date the Disney film that has been nominated for the most Oscars with a staggering thirteen nods. I don't know how much of a plot summary I have to do for either of these films but essentially Mary Poppins concerns Jane and Michael children of banker George Banks who are constantly unruly and don't really do with nannies. After an incident with some wind and a ripped up note Andrews' Poppins comes into their life and lets them live with free abandon having tea parties on the ceiling and entering an animated world via a painting. However there are life lessons learnt along the way and some darn fine songs with Dick Van Dyke being an added bonus however his cock-er-ney accent leaves a lot to be desired. There's no denying that Mary Poppins is one of the best films that Disney has ever produced and it still looks as good as it ever did. I watched the majority of the film with my mum who seemingly knows every word to every song and it is definitely a film that sticks with you and for me there isn't a bad song among the bunch my favourite meanwhile is an obscure part of the film in which Van Dyke and David Tomlinson duet just before George Banks gets fired. I have to say that the film was revolutionary at the time with its combination of animation and live action which today seems fairly commonplace but these sequences are so expertly put together that the visual effects Oscar that the film won was more than deserved. Overall I challenge anyone to watch Mary Poppins and not enjoy it it is a masterpiece but oddly it wasn't the Julie Andrews film that won Best Picture.

That in fact went to the film she made directly after Poppins that being The Sound of Music again playing a nanny only this time to a group of petulant Austrian children just before the Nazi occupation of the country. Once again I'm sure not a lot of plot detail is needed but just in case Andrews plays Maria an unruly novice nun who is tasked to look after the seven Von Trapp children who are treated like an army by their widower Captain father. The children briefly try to trick her but they soon warm to her niceties as does the Captain when he realises that she has turned his children into a choir. After the briefest of courtships Maria and The Captain marry but pressure on him to join the Nazi movement mounts so the family use a concert performance as the moment to flee to neutral Switzerland. There are a lot of things to like about the Sound of Music the majority of the songs, the costume design and the Austrian scenery all count in its favour but for me even though it has the Nazis in it is still a little bit twee. I feel that Mary Poppins has more of an edge to it as it deals with the class system in London while the Nazi movement in the Sound of Music is essentially presented as a minor hindrance to the singing career of seven children and a nun. That's not to say The Sound of Music is a bad film it does what it does well and still looks great but if we're judging films in which Julie Andrews plays a nanny its always going to be Poppins over Maria for me everytime.