Wednesday, 18 June 2014
Matt's Big Oscar Challenge Day 325: When Irish Eyes Aren't Smiling
Throughout the course of these 1990s entries I've been commenting on my awareness of the majority of the films that were nominated for Best Picture throughout the decade. The only thing I really knew about The Crying Game before watching it was the big twist which at the time really made headlines. In fact I even remember it being referenced in at least one episode of The Simpsons and it was brought up during Billy Crystal's opening song at that year's Oscar ceremony. Even though it's over twenty years since The Crying Game was released I still don't want to spoil the surprise for those of you who haven't watched it. What I was surprised about was how little said shock influenced the overall movie and how much the focus was on Stephen Rea's IRA volunteer Fergus rather than Jaye Davidson's hairdresser Dill. In fact Davidson doesn't appear until the second half of the film and instead the first section focuses on Fergus' group of IRA terrorists capturing English soldier Jody. After a member of their group Jude seduces Jody at a fun fair they hold him hostage promising to release him if their demands are met. During that time Jody and Fergus become close as they discuss cricket and learn more about one another. But ultimately it's decided that Jody has to be killed and that Fergus will be the one to do it. Despite running from Fergus, Jody still dies and Fergus heads to London to inform his girlfriend Dill. Fergus is almost instantly drawn to Dill and instead of telling her about his involvement in Jody's death pursues her himself. However once he finds out her aforementioned secret he is shocked and distances himself from her but eventually realises that she's put some sort of spell on him. But when Jude finally catches up with him he realises he'll have to choose between his old life and his new relationship with Dill.
The Crying Game is almost a film that is split into two halves with the scenes in Northern Ireland and those in London feeling incredibly different. I wasn't a massive fan of the Northern Ireland scenes as they were fairly dull and mainly consisted of conversations between Jody and Fergus. It was only when Jody was killed that things started to get interesting and Fergus' trip to London was certainly a surprising one. Ian Wilson's cinematography really captured the vibrant London that Dill and her friends inhabit which is why I think I enjoyed these scenes a lot more. Jaye Davidson's first appearance on screen also makes the film a little more glamorous and her live performance of the film's title track is probably The Crying Game's most iconic scene. Neil Jordan's script deals perfectly with the themes of sexuality as Fergus struggles to comprehend his feelings towards Dill. I felt that Stephen Rea perfectly conveyed these feelings and it was his performance that perfectly brought both parts of the film together. In addition to the focus on sexuality, The Crying Game deals with the racial tension especially when the character of Jody is on screen. I felt that Forest Whitaker put in a memorable turn as the soldier and felt his English accent was utterly convincing. Miranda Richardson also provided great support as the aggressive femme fatale Jude who is able to ensnare Jody in the film's opening scene. The problem I had with The Crying Game as a whole was that it never really grabbed me either narratively or visually. I think I've been spoilt by the last couple of films I've watched which have been visually superb and as a result The Crying Game came off a little short in comparison. That being said it wasn't without its charm as it was an easy to watch film with a number of fine performances and had a lot to say about sexuality and race. Despite initially just getting a UK release, the controversial film was later picked up by production company Miramax and was one of the first movies the group launched in the USA. As a result of Miramax's support, The Crying Game picked up six Oscar nominations and this certainly would be the last example of Harvey Weinstein's production company influencing the academy awards.
Next time I focus on the first two Best Picture nominees that I ever watched at the cinema.
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