Saturday, 18 May 2013

Matt's Big Oscar Challenge Day 194: Another Day in Court

In the 1950s we had two courtroom films that were nominated for Best Picture in the same year. The 1960s has also had its fair share of courtroom films, so join me as I spend another day with two more legal movies.

The first movie is almost solely set around the trial of a man convicted of shooting another man in cold blood. The film in question - Anatomy of a Murder has often been hailed by law professors as the greatest pure trial movie in history and after watching it it's easy to see why. James Stewart stars as Paul Biegler a former DA who now runs a failing law firm alongside a loyal secretary who sticks by Paul despite his lack of cases. Biegler is contacted by Laura Manion who wants him to defend her husband Paul who has been charged with the murder of innkeeper Barney Quill. It transpires that Biegler went to Quill's inn after discovering that Quill had raped Laura but once getting there shot him in cold blood. As Biegler realises the case will be a tough one to win, he decides to go with a defence of temporary insanity. This involved explaining to Paul exactly what he wants him to say on the stand and hopes this will be enough to get him off. Meanwhile Paul also tells Laura to dress more demurely in court as her seductive outfits may give the wrong impression to the jury. Paul's other issue is that the prosecution have drafted in a hot new attorney in the form of Claude Dancer who initially rungs rings around the world-weary Paul. It is only when Paul does some digging that he discovers the relationship between Quill and his barmaid Mary. Paul implores Mary to come forward as a witness as he feels that his case would depend on her testimony. But with Dancer getting the best of Paul, is Mary going to be enough to win the case?

I would agree that Anatomy of a Murder is a great trial movie and one that bases most of its action in and around the gathering of evidence. Despite being over two and half hours long, Anatomy of a Murder flew by thanks in part to Wendell Mayes' script which is incredibly well-paced, and giving a lot of time to each individual part of the story. Even though the vast majority of it is set in the courtroom, Otto Preminger still manages to make his film seem utterly stylish. The film is also given a contemporary air thanks to the Duke Ellington soundtrack which makes Anatomy of a Murder seem a lot less stuffy than other trial movies of the time. This is also true of the film's content, as it was one of the first to deal with both rape and sex in graphic terms as they both play heavily into the trial itself. Of course the cast are all terrific, with James Stewart earning a Best Actor nomination for his role as the once great DA who has now fallen on hard times. New kid on the bock George C Scott was also awarded a nomination for playing the young and hungry Dancer with some of the film's highlights being their courtroom sparring. Elsewhere, Lee Remick's sexuality makes you question whether or not Quill did force himself on her, while Eve Arden is on brilliantly comic form as Biegler's secretary Maida. Overall, Anatomy of a Murder is a fantastic film, full of intrigue, great performances, an amazing soundtrack and a well-paced script. It's also probably the best film I've ever seen that's largely set in a courtroom.

The other film covered in this post isn't largely set in a courtroom, but is still all based around trial. The film in question is Robert Mulligan's adaptation of Harper Lee's To Kill a Mockingbird. For those who have never read the book, the film is all seen through the eyes of 'Scout' Finch a young girl with a big imagination. Along with her broth Jem, she lives in the fictional town of Maycomb, Alabama where their father Atticus is a pioneering lawyer. Atticus believes that everybody should be given a fair trial regardless of their race, sex or beliefs and this ethos often gets him into trouble. The middle section of the story sees Atticus defend Tom Robinson, a black man accused of raping a local girl with a violent father. A lot of the irrational townspeople take against Atticus defending Tom and want to kill Tom before he even gets to court. The pivotal scenes in the film do take place in the court as Scout and Jem sneak into the courtroom to see their father in action. These scenes allow us to witness how innocent Tom actually is however the racist jury don't see it that way and find Tom guilty. From there the tension in the film rises as the people of Maycomb take against Atticus for pleading Tom's innocence and for wanting him to take part in a retrial. Atticus' actions also put Scout and Jem in danger however they are eventually saved by an unlikely guardian angel.

As someone who hasn't read the book, I went into To Kill a Mockingbird with no prior knowledge of the story. What I found this to be was an innocent observer's view of an unjust society and another of cinema's most iconic courtroom scenes. I thought watching this and Anatomy of a Murder as a double was interesting as that film's protagonist may well be guilty, while Tom Robinson is blatantly innocent. Russell Harlan's cinematography is keen to make us feel like we're watching the entire story through Scout's eyes and makes sure the camera is at her level. Robert Mulligan also makes the whole town of Maycomb seem like a sweltering, confined environment where prejudice is rife and where everybody knows each other's business. I was personally entranced by the performances from the two young actors, Mary Badham and Philip Alford, who played Scout and Jem respectively. Badham was brilliant as the narrator of the piece and was rewarded with a Supporting Actress Nomination for her part in the film. Meanwhile, I found Brock Peters to be absolutely enticing as the tragic Tom Robinson as he really made you feel sorry for his character. However this film will be most remembered for Gregory Peck's Oscar-winning turn as the mighty Atticus Finch. Peck is captivating throughout the film's run and is able to make Finch into one of cinema's biggest heroes of all-time. Peck's Finch is admirable without being preachy and he is able to anchor the film perfectly. While To Kill a Mockingbird may not be as stylish or compelling as Anatomy of a Murder, it is full of heart and real character and that's why I fell in love with the film.




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