Over to the 1932 ceremony where two films starred the same leading man
and had the same basic format. That man was Maurice Chevalier and those
two films were One Hour With You and The Smiling Lieutenant. Of course
I've heard of Chevalier but at the same time am not aware of his films
that well. Just like Mae West, Chevalier
was one the successful vaudeville and Broadway performers who was able
to make the transition to Hollywood. With his charming voice and
trademark boater hat, Chevalier was a crowd pleaser when he took to the
stage and continued to charm in his films. In this case the films were
both directed by Ernst Lubitsch. Firstly One Hour With You which has a
very flimsy storyline indeed involving Chevalier's doctor who seems only
to treat female clients who all obviously fancy him rotten but he is
faithful to his wife played by Jeanette MacDonald. Both Chevalier and
McDonald have perfect singing voices and basically singing seems to be
foreplay to most of the characters in both of the Chevalier films that I
watch. Maurice is tempted by his wife's old friend Mitzi while in turn
his wife his propositioned by a man named Adolph before the name
obviously became synonymous with a certain Mr Hitler. In this film
Chevalier addresses the audience on a number of occasions to ask their
advice on what he should do with these two beautiful women. At the end
of the day even though they've both been unfaithful to an extent
MacDonald and Chevalier realise they love each other most of all so it's
back to the bedroom for a bit of a 'sing song'. The film is supposedly
set in Paris but is obviously an American production with Chevalier the
only predominant French cast member. Honestly I don't see why this was
nominated for Best Picture, but that's all it was nominated for and it
was obviously there to make up the numbers.
But you think the
academy would only have picked one Chevalier film that year but instead
The Smiling Lieutenant was also nominated. I find the plot was a little
more cohesive in this film although Chevalier did essentially play the
same character this time there was at least some kind of motivations
for all the misunderstandings and misbehaving. This time the two women
that were fighting for Chevalier's affections were Claudette Colbert and
Miriam Hopkins. After watching her as the smart-talking rich girl in It
Happened One Night I was surprised how little Colbert had to do here.
She was Chevalier's first romantic interest a violinist who he fell for
even though his friend liked her, friendship doesn't seem to stand for
much in a Maurice Chevalier film. Anyway as you can guess from the title
Chevalier's character is a lieutenant in the army and when Colbert's
character goes to watch him welcome the ambassadors from a small Austrian
suburb to Vienna he winks and smiles at her but it gets deflected
towards Hopkins' small town princess. The big plot jump sees Chevalier
agree to marry Hopkins because if he didn't there would be an
international incident or Chevalier would lose his job. Hopkins and
Chevalier have a loveless marriage at first but when Colbert comes to
confront the new couple she instead helps Hopkins improve her lingerie
collection (in song no less!) and bed Chevalier. At the end Chevalier
gives the audience a cheeky wink before going to bed his new wife. Again
the film was only nominated for Best Picture.
So what've I
learnt from Maurice Chevalier films released in 1931-1932? Women don't
care if you screw around, basically everyone sings or at least talks in
rhymes, America is ample substitute for either Vienna or Paris and women
find Frenchmen in boater hats absolutely resistable. Surprisingly there
was no nomination for Chevalier in the Best Actor line-up however that
year there was only three nominees. But Maurice will pop up again in
this search later on when I watch the film which he was nominated for
Best Actor - The Love Parade. Until then its goodbye to cheeky French
chit-chat and oh so twee musical numbers.
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